I had sincerely hoped I would never need to write this post. On Monday and Tuesday, I was (prematurely and inaccurately) heartened that Manchester had not fallen into the same disorder and desperate, woeful state that parts London, Birmingham and Liverpool had.
It doesn’t even make me angry any more, it makes me desperately sad.
I’ve read a lot already on this and some very insightful people have posted some apposite and informed views. (see The competing arguments used to explain the riots, Rosamicula and Kester Brewin.
It seems to me that we are all to blame in some respect. And in all the different areas of trouble, the variety of those people rioting and looting is astonishing, see the Guardian’s article on who took part.
Yesterday, listening to a BBC correspondent who had spent the day in a magistrate’s court hearing those arrested and charged from some of the London rioting, I was somewhat surprised to hear there were a lot of young professionals involved in the looting. A graphic designer, a care worker, someone who had just joined up for the army. Not all of them were from the local area, many had driven in, taken part and then, to quote the correspondent: ‘driven off to the next location to cause trouble in their Golf GTIs’.
Last night’s trouble in Manchester is also not all from some kind of ‘underclass’ there seemed to be plenty kids from ‘middle class’ families looting for all they were worth. Kids as young as 9 (estimated) were seen in gangs, separating in two, one group to divert the police while another group smashed in and looted a shop.
I think there are many, many different and complex reasons for this upheaval but it is endemic of a society that has lost it’s way.
Maybe we all need to take a step back and have a long look at ourselves.
Why are we all so interested in the news about the riots? Is it perhaps because somewhere within us there is a deep need to acknowledge that this kind of behaviour is the kind of behaviour that we are capable of? Is it that by reading and watching about it, in a voyeuristic way, we can somehow, exorcise it from ourselves? Are we somehow connecting with it for cathartic reasons, in that were it not for other people committing these acts now, we indeed could or maybe would?
At a push, maybe I could loot somewhere to provide for my family if things got really bad. And scenes like we saw last night are just a couple of rungs down the moral ladder.
In an interview with Jane Clayson of the CBS Early Show on September 13, 2001, Billy Graham’s daughter Anne Graham Lotz commented on the terrorist attack of September 11, 2001 and I think that much of what she said is relevant here in the UK at this time. (I have yet to find a full transcript of the interview but you might be familiar with the paraphrasing.)
“I believe God is deeply saddened by this, just as we are, but for years we’ve been telling God to get out of our schools, to get out of our government and to get out of our lives. And being the gentleman He is, I believe He has
calmly backed out. How can we expect God to give us His blessing and His protection if we demand He leave us alone?”
What we see may be the result of many things building up to a flashpoint, but the one single common factor is the fact that by and large our country has turned it’s back on the values of true Christianity. The church is as guilty as the rest and I’m surely just as culpable.
We have turned our backs on God, we have not been careful about what we have let into our hearts and we have reaped the consequences.
A good man brings good things out of the good stored up in his heart, and an evil man brings evil things out of the evil stored up in his heart. For the mouth speaks what the heart is full of.
Luke 6:45
For ‘mouth speaks’ read also ‘hands do’ or ‘feet follow’.
“You are what you eat” is the other phrase that comes to mind, and the diet that we feed our hearts and minds on surely impacts the actions we end up taking.
I am reminded of a story by Slovenian philosopher Slavoj Zizek:
A man thinks he is a grain of seed. He is promptly taken to the mental institution where the doctors eventually convince him that he is not a grain of seed but a man. But, just when he’s apparently cured – convinced that he is not a grain of seed but a man—and permitted to leave the hospital, he comes back instantly, trembling with fear: his next door neighbour has just started keeping chickens and he is afraid the chickens are going to eat him. “Come now,” says the doctor, “you know full well that you are not a grain of seed but a man.” “You and I know that,” the patient says, “but do the chickens know?”
The point is, that most of us don’t need convincing that a new car or bigger house, pair of fancy trainers, plasma tv or a diamond ring will not make us happier or more fulfilled, it’s the structure around us, the magazines and tv programmes, the society we live in and participate in that needs convincing of these things.
For me that’s what church is about, creating an alternative structure that then convinces the chickens because of the way it operates.
Churches need to be alternative communities, places that poke holes in the lies of the world and say “that’s not true, and you know it’s not true” and through our relationships, through our living together in this alternative way, we can encourage each other to live a different way to the way the world pushes us.
We need to be careful we aren’t laughing at the materialistic consumerist society, condemning those chasing it, whilst at the same time fully participating in it, because people won’t listen to us if our lives don’t match up to what we say we believe. (I preached on this earlier in the year)
Now is the time for Christians in Manchester (and London, Birmingham, Liverpool, Bristol, etc. etc.) to kneel in prayer, for forgiveness that we haven’t yet enabled God to use us powerfully enough to prevent these dreadful things happening, for the wisdom to know what is right and the courage to do it.
We must pray that we can be seen to be instruments of God’s love. Conduits of God’s grace. Bringers of God’s restoration, renewal, and revival.
And lets, wherever we can get involved in the clean-up, not just of the cities, but also the minds and lives of the people who are so misguided and misled that they rampage through the shops looting things that perish and spoil.
“Do not store up for yourselves treasures on earth, where moths and vermin destroy, and where thieves break in and steal.
But store up for yourselves treasures in heaven, where moths and vermin do not destroy, and where thieves do not break in and steal.
Matthew 6:19-20
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Third World Symphony
Before 16th September 2011, I had never heard any music by Shaun Groves!
However, I have been a regular reader of his blog for several years.
In the process of releasing his latest album, Shaun had released various pre-mastered, development versions of his song “All is Grace“, none of which I listened to, yet I still bought the album. In fact, I pre-ordered the album and then I bought it on iTunes too.
Before you think I’m completely mad doing this, there are two reasons why I chose to do this.
The reason I went “crazy” not only contributing to the ‘Kickstarter’ project to raise money for Shaun to record in the first place and pre-ordering the CD, but also buying the digital version was that I believe in what Shaun was doing / trying to do / is doing.
So Here goes.
Since I bought it, I’ve listened to almost nothing else on my iPod (save for a couple of Mars Hill / Gerard Kelly podcasts). Because the album is that good.
The album as a whole is ‘bite-sized’, it takes just over 37 minutes to listen to which is, I think comparatively short in album terms. That’s no criticism, I like how you can listen to the whole thing fairly quickly and have a really nice overview of the music and lyrics.
The things that most struck me about the album as a whole are the clarity of Shaun’s voice and the excellent instrumental balance throughout. I really love the mandolin and banjo in there and the rhythm section discreetly sets the whole thing off very well.
Somehow, though it’s all new music, new songs, new words, none of which I’d heard before, the album immediately had a familiarity which I can only attribute to the fantastic ability of the profoundly gifted songwriter and musically mature creative spirit that Shaun shows himself to be in this album.
The only drawback for me, which is purely a personal preference is the flute on some of the tracks. Possibly because it seems from the credits that it must have been a synthesized flute not a real one (I might need to be corrected by Shaun on that?) but possibly because I have an incomprehensible, inexplicable dislike of the flute.
Initially I thought that there were too many ’2 bars intro then add the vocals’ type of tracks, but the more I listen to it, the less that strikes me and I think the balance of differing styles of the songs fit really neatly together.
On to the individual tracks. All lyrics can be found at the Third World Symphony lyrics page.
What an opener! (aside of my mild annoyance at the flute bit) Every time I listen to this track, I get shivers down my spine. The clear tone of Shaun’s voice, coupled with the lovely jangle of the mandolin makes a beautiful rolling, building song that naturally climaxes through the choruses and the unresolved ending is so completely fitting. Leaving the end of the song on an unresolved chord immediately gives me images of this ongoing journey, echoing the sentiments of the lyrics that “You have loved us all so We love all”, It’s not a process that is finished, It’s something that continues daily, hourly, remembering the Love God has for us, evoking our response to love others as part of our expression of love for God.
My lovely wife was slightly confused by the breathy way that Shaun sings “All” for “All is grace”, making it sound a bit like “Hall is grace”. For me, I quite like it but then I knew the title and the lyrics and she didn’t when she first heard it.
Another ripsnorter of a song, it’s catchy it sticks in your head, the words again are delicately sung and right ‘on the button’: a plea for God to bring his Kingdom here on earth sooner, not for selfish reasons or personal gain, but for the good of the world, especially the downtrodden and rejected.
I particularly love the tinglefactor that I get from the combination of the musical pause and Shaun’s impassioned “come and meet us here” at the beginning of the final chorus.
With similar sentiments to the previous song, I might have put this song much later in the album, maybe even at the end, not just because of that, but also because of the cascading, more fully orchestral-style climax of the song, which lends it to be a bit of a ‘showstopper’ or finale piece. Once again, I like the open, unresolved chord that it ends on, musically creating the expectation, the anticipation and eagerness for God’s Kingdom to come fully as well as the ongoing call for it to come through us in the way we live.
Another solid, catchy melody. I like the song, I don’t have a lot else to say about it!
Shaun has infused this song with ‘essence of good quality indy-brit-pop’ and reminded me of all the bits of Radiohead that I really enjoyed. The feeling of the chord sequences took me back to (weirdly enough) “Karma Police” from “OK Computer” though quite different in content! The other song it brought back to me was “True Love” by “Phil Wickham” which is probably a more flattering comparison.
Similarities to other songs to one side, I love this song, the haunting tune and guitar with plenty of reverb on it give it the feeling of a passionate appeal to the apathetic heart of middle-class, wealthy, comfortable Christianity to really respond to the longing love call of our intimate God.
I think this song is lovely. Shaun wrote a blog post about what inspired him to write that track and reading it, combined with the simple beauty of this song, both musically and lyrically, never ceases to soften my hard, cold, cynical heart.
As soon as I get a link to the original post (because it has disappeared!) I’ll stick it in here, it’s worth reading.
This song is fantastic in every way even though the upbeat, bouncy tune seems to be slightly out of keeping with the subject material in my mind. First time I heard it, it made me think of Sufjan Stevens’ “Chicago” (also a fabulous track).
The theology behind the song is so right and yet so far from the experience of so many western Christians and more to the point non-Christian observers. Which is a shame but also the very reason EVERYBODY needs to listen to this album. Shaun Writes here and here about ‘Enough’ (and in plenty of other places in his blog). Shaun is a man that lives what he believes and it’s a fantastic way to show the Gospel – your life displays the Gospel of Jesus when it looks like good news for other people, not just yourself.
This might be my least favourite song on the album, (despite the great mandolin work) though I do still like it. Partly because I’ve never really got into country or bluegrass and partly because I guess it speaks most revealingly to my own vulnerabilities, sins and shortcomings. When a song like this shines it’s spotlight on your life, it gets pretty uncomfortable. For me, it’s a timely reminder not to judge others, because as Shaun says “I’m no better”.
That said, the chorus is pretty catchy and sticks in the head. One other thing… it seems to end a bit abruptly.
Listening to ‘Down Here’ always brings a lump to my throat and I’ve been pretty close to tears a few times. It’ beautiful and compelling, music fits the words like a glove and the symphonic nature of the climactic second chorus is something of a musical masterpiece.
The epilogue section of the song really rounds it off to be filled with truth and hope, the kind of hope that speaks to the heart of all people that ‘death does not have the last word’ because we believe in resurrection and in the words of Rob Bell, “resurrection announces that God has not given up on the world”.
Shaun added this traditional song at the end of the album for some very good reasons. And I won’t steal his words so you can read them for yourselves here and here.
I really love this version of the song with Shaun’s extra words.
I mentioned my lovely wife earlier, and she’s generally not a massive fan of music that isn’t classical in genre, being a very talented lady with an honours degree in music, but she really liked the album too. A definite sign it’s really, really, really good.
You really should buy this album, from iTunes, or Amazon or Direct.
I Promise, Promise Promise I’m not getting any commission. Shaun doesn’t even know me, but You Have to hear it, buy it, support it. And if you like, Go sponsor a child too, it’s a really good and fun thing to do.
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